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Leatherette Earrings & Earring Card Projects

Affiliate links may be present in the following blog post and as an Amazon Associate, I earn from qualifying purchases.

Who doesn’t love a surprise? And that is just what I received when Silhouette America asked if I wanted to check out their new Mystery box.

When I opened the box, look what I saw:

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Plus a pack of the Kraft Adhesive paper that arrived on my doorstep, it must have forgotten to jump in the box and was just another bonus to the mystery box.

Kraft Paper

And now the fun part of playing with these materials.

I grabbed some designs from the Silhouette Design Store and tackled something I’ve had on my project list.

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I used the Leatherette package and the sketch pens to create these earrings and earring cards.

First, I started off making the earring holders.
I cut several different styles but I ended up really liking Design #14057 by Loni Stevens.

Earring holder file

But, I knew I could add to the earring holder, so I decided to dress them up a bit with the Silhouette sketch pens. I received the Metallic set in my mystery box and after testing several, the silver was my favorite.
I could have told you that before I tested, but I still gave all the colors a chance.

Zoom on stitches and name

To make the dashed sketch line:
– Make a copy of the outer edge of the earring holder design
Resize the copy a little smaller – either by the Scale panel or by dragging the corner bounding box
– Use the Line Style Panel and change the style of the line to a dashed line
– Also under the Line Style Panel change the color of the line to black.
– Select the dashed line, click on the Send Tab and then click on the
Action by: Line at the top –
this means the Cameo will perform the actions we tell it to by the Line Color
Cut by Line color

– Grab the black color option and move it to the top spot –
this action will be performed first
– Change the Tool No. to the blue circle (blue circle = Tool 2)
– Select your Material – Cardstock
– Change the Action to Sketch
– Check & set up the Cut settings for the red line

Now when the design is Sent, it will first sketch the design that has been changed to a black Line color – the dashed line and then after will cut the lines that are red.

Next, I used the Nouradilla Script Font and added my name and Silhouette Secrets to the earring holder as well. Change the line color to black under the Line Style Panel and it will sketch at the same time as the dashed line.

Once I started cutting, it was hard to stop. I do love how this Leatherette cut so smoothly. I started with brand new blade and mat and I believe it made a big difference in how cleanly it cut. In fact, the more I cut and the less sticky my mat became, the cuts weren’t as crisp. A sticky mat makes a big difference.

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This was the first set I cut and might be my favorite. It is Leaf Earring design by Lilium Pixel SVG – Design #266977. The only thing I changed on this file was I released the Compound Path and deleted the top circle for the hardware. After I deleted the circle in each, I selected the entire design and then chose Make a Compound Path again.

I then made a copy of the earring design and right clicked and Flipped horizontally. This made a 2nd copy that I could glue together and make the back have a finished look. I used a Xyron Sticker Maker permanent adhesive to do this.

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Lined Leaf Earrings by Amanda McGee – Design #275057
Leaves Earrings by Amanda McGee – Design #275058
This design was modified to take out the top circles like the first file and then cut & glued together with the Xyron Permanent Adhesive.

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Tear Drop Earrings by Sweet Elsie – Design #273510
– Ungroup the design
– Release the Compound Path and deleted the hardware circle at the top.
– Make a copy and Scale the copy down a little
– Make another copy and Scale it down a little more
– Cut each out of a different color and layer on the earring hardware

You could also use glue and adhere the layers down to each other but I chose to let them hang loose.

Rather than try to get each design to match, I deleted one of the original designs, made my copies and resized how I liked and then make a copy of the entire design before I cut. Then both earrings matched exactly.

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Leaf Earrings by Lori Whitlock – Design #268363
I once again ungrouped the design, released the compound path and then deleted the top circle. You might see a pattern here.
It is nothing to do with the Designer’s file, but for the Double J Earwire hardware I had from Craft Chameleon, it was easier to make my own hardware hole.

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Drop Earrings by Sweet Elsie – Design #273506
I did the same technique with making copies and resizing as I did with the Tear Drop earrings above.

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Layered Feather Earrings by Amanda McGee – Design #275059
This file was cut exactly as it opened.
Again, you could glue the layers down if that is your desired look.

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For this set, I took the Tear Drop Earrings by Sweet Elsie – Design #273510 and then added a dingbat from the Valentine Dingbats Font by Lori Whitlock – Design #243211.
– Make a copy of the Tear Drop design
– Add the dingbat shape from the font to one of the designs
– Select both the earring shape and the dingbat shape, then make a compound path
– Cut each shape out of the colors
– Glue the layers together

All of the earrings above were cut from the Silhouette Leatherette using the Leatherette cut settings in the program and it worked beautifully.
Leatherette cut settings

Again, I did start with a brand new blade and mat, which I believe was very helpful.

The Silhouette cutting mat is very important and the material sticking to the mat for the entire cut is key to getting crisp, clean cuts for all materials.
If the material moves as the blade is going around, it cannot connect exactly and you end up with crunched corners, cuts not connected, frustration and possibly a mess.

I’d suggest always having an extra Silhouette mat & blade on hand for any projects you are doing.

Save this for future reference by pinning the image below.

Leatherette (Pinterest Pin)

Enjoy !

THANK YOU for your support! How can you help? Click HERE & buy a coffee. Every little bit helps with the cost of running the site.

Silhouette Classes

Never stop learning! Let me help you take the anxiety out of learning with Silhouette and get to creating faster! My Silhouette classes are heavily focused on software, so you can take the skills & techniques taught and apply them to many future projects!

Silhouette step-by-step Classes by Silhouette Secrets+

**This post may contain affiliate links. What that means is that I may receive compensation if you purchase through the links I have provided. The price you pay for the product or service is not higher but I may get compensated for sharing.

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Creating a shadow box with Silhouette

Everyone starts out with one material or another, mine was paper. I started with my Silhouette as a paper-crafter and it has grown from there.

A while back I was visiting friends in Kansas and playing with the Silhouette and my friend asked if I could trace a photo for her that a friend took. Now, photo tracing can be tricky. Each photo can yield different results tracing in the Silhouette Studio and you just never know until you try to see what will happen.

In this case, it was a great photo to trace.

Bobbi's photo

Here is how the trace came out. I used Basic Trace panel to achieve this. Check out the Trace Panel HERE.

Photo trace

Then I released the compound path and deleted the water areas and used the point editing and deleting points to clean up edges and take out the skyline.

Cleaned up

Now, like I said above, each photo is going to vary in how it traces and this one turned out to be pretty simple with a little time for editing.

Then when I saw this Canoe at Sunrise shadow box in the Silhouette Design Store, I knew it was perfect for a gift that I could incorporate this trace into.

Design Store file

Instead of adding the canoe, I cut and added my traced image of my friend on her kayak. It was perfect!

Shadow box

I am one of those people who has to do a project pretty much exactly like the demo, at least the first time. So I did go to the designer’s website and purchase the file again – yes, sounds crazy – but I wanted the backgrounds for this particular project. However, you can use any background that you want and add it to your project.

What are you creating today? Feel free to post your project photos & questions on my Facebook group at Silhouette Secrets+ with EllyMae.

Shadow box

Enjoy !

THANK YOU for your support! How can you help? Click HERE & buy a coffee. Every little bit helps with the cost of running the site.

Looking for more in-depth, step-by-step classes, check out all of my online Silhouette classes on my Teachable site HERE.

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**This post may contain affiliate links. What that means is that I may receive compensation if you purchase through the links I have provided. The price you pay for the product or service is not higher but I may get compensated for sharing.

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Let’s Explore v 4 Recap

We are half-way through 2018 – can you believe that?

So it’s the perfect time to recap what the “Let’s Explore v4” series has covered so far since January.

Let's Explore Recap final 2copy

Let’s Explore v 4 series

Page Setup Panel – Tab 1 – Page Size & Cutting Mat

Page Setup copy

Page Setup Panel – Tab 2 – Grid Options & Spacing

Page Setup Tab 2 copy

Page Setup Panel – Tab 3 – Registration Marks – Print & Cut

Registration marks panel copy

Fill Color Panel

Fill Color Panel copy

Line Style Panel

Line Style Panel copy

Trace Panel – Tab 1 – Basic Trace

Tracing Panel copy

Trace Panel – Tab 2 – Trace By Color (Designer Edition feature)

Trace Panel copy

Trace Panel – Tab 3 – Magnet Trace (Designer Edition feature)

Magnet Trace Panel copy

Pixscan Panel

Pixscan copy

Text Style Panel – Tab 1 – Text Style

Text Style Panel main copy

Text Style Panel – Glyphs and Spell check

Glyph

Transform Panel – Tab 1 – Align Tab

Transform Panel copy

Transform Panel – Tab 2 – Scale Tab

Scale tab copy

Transform Panel – Tab 3 – Rotate Tab

Rotate main copy

Transform Panel – Tab 4 – Move by Tab

4-25 Transform -Move copy

Transform Panel – Tab 5 – Shear (Designer Edition feature)

Shear Panel copy

Replicate Panel – Tab 1 & 2 – Replicate & Number of Copies

Replicate panel copy

Replicate Panel – Tab 3 – Object to Path

Replicate Object on Path copy

Modify Panel – Part 1

Modify Panel copy

Modify Panel – Part 2 – Compound Paths

Modify Panel details copy

Offset Panel

6-5 Offset Panel copy

Pop Up Panel (Designer Edition feature)

Pop Up Panel copy

Stipple Panel (Curio option only)

Stipple panel copy

Nesting Panel (Designer Edition feature)

Nesting feature copy

There are so many things that the Silhouette Studio program can do. It is really an amazing program and I hope that you have learned something throughout the series. There is still so much more to explore!

Please let me know what is one thing you have learned that you did not know before by leaving a comment here or on my Facebook group.

Enjoy !

THANK YOU for your support! How can you help? Click HERE & buy a coffee. Every little bit helps with the cost of running the site.

Looking for more in-depth, step-by-step classes, check out all of my online Silhouette classes on my Teachable site HERE.

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**This post may contain affiliate links. What that means is that I may receive compensation if you purchase through the links I have provided. The price you pay for the product or service is not higher but I may get compensated for sharing.

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“Tank” top

I created this shirt for my son to wear on vacation. He is all about Army and tanks at 6 years old and picked out this Military Set by Studio Ilustrado – Design #83790 in the Silhouette Design Store.

Design Store file

When this file is opened there are multiple designs so I had to right click on it then chose  ungroup and deleted the designs I did not want.

Design file ungroup copy

Then I always fill my design with color, so I can see how it will look when it’s cut.

Fill with color

And now came time to add this Camo Sparkleberry Ink HTV my cutting mat.

Sparkleberry ink camo

It turned out perfect.

temp

And as you can see, he loved it.

He told everyone the entire weekend of camping “Look at my Tank Top – get it? Tank Top”

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Feel free to share the creations you make on my Facebook group at Silhouette Secrets+ with EllyMae.

Enjoy !

THANK YOU for your support! How can you help? Click HERE & buy a coffee. Every little bit helps with the cost of running the site.

Looking for more in-depth, step-by-step classes, check out all of my online Silhouette classes on my Teachable site HERE.

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**This post may contain affiliate links. What that means is that I may receive compensation if you purchase through the links I have provided. The price you pay for the product or service is not higher but I may get compensated for sharing.

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Silhouette Weekend

What an amazing weekend spent with colleagues and new Silhouette friends!
I was on staff at the Terri Johnson Creates Silhouette Instructor Licensing retreat two weeks ago and let me tell you, while it may have been long days, I still woke up feeling like my battery was recharged on Monday morning.

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First, I want to say Congratulations to all the new TJC Licensed Silhouette Instructors!
It was an amazing weekend meeting you all and seeing some of you I already knew.

I loved watching attendees create all of the projects and seeing that light shine when they finished their creations or learned a new technique in the software.
That is what I love about being an Instructor!

A weekend full of Silhouette machines, class projects and new friends! And to top it off, working with my colleagues, who have become some of my closest friends since I attended the TJC Silhouette Licensing Program in September 2016.

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We laughed, we talked, we bounced ideas off each other, we laughed some more….. we cried because we were laughing so hard.
This makes it all worth it – the friends you meet!

The weekend was filled with business tips, Silhouette software, projects created with the Silhouette, demos, tips, tricks, troubleshooting and lots of fun!

On Saturday evening, during the hands on session, I showed a demonstration of the Silhouette Curio etching on an acrylic coaster. This little Curio machine has very quickly become well loved in my studio and I am amazed at what it can do.

Here are just a few of the projects I’ve created using my Curio machine.

Since I attended the TJC Licensing Program in September of 2016, I have expanded my knowledge of Silhouette and many more things – more than I ever could have imagined. I have been teaching Silhouette classes in person, by video conference call and by phone; been on staff for several Terri Johnson Creates Events including the Curio Intensive, All Things Silhouette Conferences and Licensing; started the “Let’s Explore v4” series on my blog; am an Admin on several Facebook groups; written several guest posts for Silhouette School and Craft Chameleon; created  product/project videos for Craft Chameleon and am now recording and creating video lessons for users who do not have access to a hands on event.

None of this would have happened if I had not taken that moment and clicked Register for the Terri Johnson Creates Licensing Event.

I still don’t know where it’s leading me, everyday seems to bring a new opportunity.
But, I am enjoying it and learning as I go.

Each Silhouette user will read this and take something different away from it.
Do you want to know more about becoming a TJC Licensed Silhouette Instructor?
(Click HERE)
Do you want to look for a hands on event or local Instructor in your area?
(Click HERE)
Do you want to check out more information on the Instruction that I offer or have an interest in video lessons?
(Click HERE)
Do you want to check out the “Let’s Explore v4” series?
(Click HERE)
Do you just want to get your Silhouette machine out and play?
YEA!!!
That is the best way to learn. Of course, it is always a little easier with some guidance and that is why the Terri Johnson Creates Licensed Silhouette Program was created.

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Who knows where this path will take me, but I know my life is different because I am on it and I would not trade meeting these wonderful ladies (and many more not pictured) for anything in this world.

I would love if you would share your projects with us – check out my Facebook group at
Silhouette Secrets+ with EllyMae.

Enjoy!

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**This post may contain affiliate links. What that means is that I may receive compensation if you purchase through the links I have provided. The price you pay for the product or service is not higher but I may get compensated for sharing.

 

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Let’s Explore v4 – Offset Panel

Offset Panel – Silhouette Studio v4

We are moving down the right side of the Silhouette Studio v4 software and going through the Panels in detail.

Let’s take a look at the Offset Panel.

6-5 Offset Panel copy

This tool can be very useful for many things such as creating a background layer for a decal, creating a shadow, thickening fonts, making frames, etc.

6-5 Offset Panel Detail copy

  1. Offset – This tool creates a copy of the design on the outside edge of the original shape. The default distance is 0.125 inches and that is what shows when Offset button is chosen, it can then be adjusted.Select your design and click on the Offset button.Offset demo *the offset is filled with yellow for you to see it better *Create by Cali Arroyo – Design #215617 Once the Offset is applied, it will automatically weld together and any parts that are overlapping will now be welded. Keep in mind that if there is a part of the design, such as a dot of an i, that is not overlapping, it will not be welded and it will need to be grouped after you create your Offset.
  2. Internal Offset – This will apply the offset inside of the design. The default is set for 0.125 inches here too and most likely you won’t see any offset created, if that is left. Once you decrease the offset distance, you can see a change happen.Internal Offset demoThis is one way to fill a font that you want to use the sketch pens with. By creating multiple internal offsets, the sketch pen will “fill” the font in by drawing all the internal offsets.Here is an example of creating multiple internal offsets to “fill” in a font to sketch. Offset multiples This was many internal offsets, so many I lost track of how many I created. First, I will say that it took a lot of ink to fill this in. I was using the Silhouette sketch pens and your results will vary depending on the pen you use and the tip it has on it. Sketch pen collage copy2 You can see above that even with multiple internal offsets, it did not fill in completely with the Silhouette sketch pen. In some cases, it is not worth the ink or the time to use the sketch pens like this and would be easier to use the Print and Cut feature instead.
  3. Offset Distance – Change the Distance of the offset to achieve the look you want.Offset Distance demo
  4. Offset Corner – Change the look of the offset created by changing the corner shape.Corner demo
  5. Cancel or Apply – Choose whether to Apply the Offset (can also hit Enter key) or Cancel.

Let’s take a look at some examples of using Offsets.

Creating an offset as a background to layer a decal:

Offset 2 layer decal

Check out how I created this and then used layering marks to line up the decal exactly HERE.

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Using a Offset to create a space when subtracting and layering HTV:

Knockout zoom copy

Mom Offset final

See details on how I created this shirt HERE.

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Using an Offset to thicken fonts for cleaner cutting:

Offset font

The Samantha font is very popular but it can sometimes be a pain to cut for small projects, a small offset can make a big difference without changing the look too much.

Using an Offset to make a frame:

Offset Frame

Make an Offset of the original design, select the offset & original, then right click and choose Make Compound path or use the Modify Panel and choose Make Compound path. Now, you have a frame.

There are many ways to use the Offset and these are just a few examples. How do you use the Offset feature? I would love seeing what you are creating – feel free to post on my Facebook group at Silhouette Secrets+ with EllyMae.

Save this for future reference by pinning the image below.

Offset Pin 2

Enjoy !

THANK YOU for your support! How can you help? Click HERE & buy a coffee. Every little bit helps with the cost of running the site.

Looking for more in-depth, step-by-step classes, check out all of my online Silhouette classes on my Teachable site HERE.

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**This post may contain affiliate links. What that means is that I may receive compensation if you purchase through the links I have provided. The price you pay for the product or service is not higher but I may get compensated for sharing.

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Subtracting Text for HTV in Silhouette Studio v4

These designs have been a big hit for Mother’s Day and we will walk through how to created one.

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First click on the Text Tool on the left side of the Silhouette Software. Click on the design mat & type out the words. Click off of the words to deselect it and then click back on the text once to select it. Fill the text with color to make it easier to see & work with. Click on the Text Style Panel on the right side.

Text Style copy

Now, click on a Font Style Name, the text will change to that font style. You can then either click on each font, use the text search bar if you know what you are looking for or use the arrow keys to scroll through the text list and as you do the words will change to each font – this is my favorite method if I don’t know what font I want.

Text Style Panel copy

For Mom, I chose a font called Gulana – I chose this one by just scrolling through my font list and seeing what I liked best. Now, resize it how you like it.

Next using the same text tools, type out your second layer.

Names text.JPG

I used the font MF I Love Glitter by Misti Fonts in this example. The swirl hearts are called Glyphs and are special characters within the font that you can add. Check out this post for more on the Glyphs feature HERE.

Since this font overlaps make sure to weld the letters together before you cut.

Now position your name design over the top of the Mom design and align it how you want it.

Mom aligned

We are going to Subtract the top layer (names) from the bottom layer (Mom).

First, I’d suggest creating an offset. When you are using HTV and pressing individual layers, the HTV can shrink as it’s applied with heat. To help with that we will create an offset, so we don’t have unwanted gaps in our design.

First, make a copy of your design and pull it off to the side in the holding area of the design space. Any time you are working with text, it’s a good idea to make a copy and pull the original off, just in case you need to go back. Once you edit text, it is no longer text and is now treated as a vector image – so the text is no longer editable.

Next, select your name text and click on the Offset Panel on the right side of Silhouette Studio v4.

Offset copy

Then next to the Distance highlight the numbers and type in 0.040, then click on Apply or hit Enter. The Distance of the offset will vary depending on the design you are using. Enter some larger or smaller offsets and see what you like – the Undo button will be your best friend.

The offset option gives you an outline around your text. It can also be used to make text thicker when you are using a very fine line font.

Offset zoom

Once you Apply the offset, it will weld any parts that are overlapping. Parts of the design that are not overlapping (like dots of an i) will not be welded together, so you will need to group the offset before you move it, so it all moves as one.

Now move your original text off of the Mom design.

Offset2.JPG

To create this design, we are going to use the Mom and the offset of our name text.

Select both Mom and the offset and under the Modify Panel, choose Subtract.

Mom knock out copy

This will Subtract the top layer (offset) from the bottom layer (Mom) and any pieces that are not connected will now be individual. I would group these together before anything gets moved.

Offset group copy

The Group option can be found in the QAT (Quick Access Toolbar) at the top of the software, right click and choose Group or under the Object menu at the top left of the software.

Now, we can move our original text back on top of our Mom design.

Knockout

You can see when we zoom in that we have created a gap in our layering. This is done with the purpose of allowing for the shrinkage of the HTV and not getting unwanted gaps in our design.

Knockout zoom

Do you have to do an offset before you use the Subtract option? No, but it can save some frustration when the HTV does shrink.

Now, you are ready to set it up to cut out the material.

I used this awesome Sparkleberry Vaca HTV by Sparkleberry Ink on the Mom design. This is a patterned vinyl and you do not have to mirror or flip your image when you cut their patterned vinyl.

For the name text, I am using Siser Easyweed HTV in Hibiscus from Swing Design. Since this is regular HTV, I will flip (mirror) the text prior to cutting.

Flip name text copy

Next, prepare your materials. Cut them down to the size you need or place each one on the mat individually, however you like to cut.

Click on the Send tab in the top right corner. Select your Material. Heat Transfer – Smooth is what I used for both the pieces I cut.

Send tab copy

Once your mat is loaded, I always suggest doing a Test Cut before cutting the full design. This can save you a lot of frustration in the long run.

Click on the Send button at the bottom and once it’s cut you can weed your designs.

Layer & press the designs on your t-shirt or tote bag and you have a custom made design.

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Subtracting text

What will you create with this technique today?

Enjoy !

THANK YOU for your support! How can you help? Click HERE & buy a coffee. Every little bit helps with the cost of running the site.

Looking for more in-depth, step-by-step classes, check out all of my online Silhouette classes on my Teachable site HERE.

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**This post may contain affiliate links. What that means is that I may receive compensation if you purchase through the links I have provided. The price you pay for the product or service is not higher but I may get compensated for sharing.

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Let’s Explore v4 – Modify Panel – Part 1

The Modify Panel has lots of neat tools in it that perform a variety of functions. It can be found on the right side of the Silhouette Studio v4.

Modify Panel v4

Let’s take a look at all the tools in this panel.

Modify Panel details copy

  1. Weld – Joining two or more objects that are overlapping together to form 1 object. This is often used with text when you want it to cut as one solid design vs individual letters.Weld3You will notice that the top text, the red lines from the characters overlaps the letter next to it. If you sent it to cut like this, it will cut out the red lines exactly how they show, so your letters would have cuts through them.Weld - zoom copyBy choosing to weld the font first, you can join the letters together so it cuts as one smooth piece. After you have welded, any piece of the text that is not overlapping will now be a separate object – like the dots of the i, so you want to make sure to Group them together to keep the text moving as one design. When you weld text, it does change it from editable text to a vector image, so make sure to make a copy & pull it off to the side so you have the original in case you need to go back.
  2. Subtract – Takes the top layer and subtracts it out of the bottom layer under it.SubtractOn top is the original design. Mom is typed out and behind the names. When you select both designs and choose Subtract, it subtracts out the names (top layer) from the Mom design (bottom layer). This works well for things like layering HTV where you don’t want the bulk of layering on your shirt or if you are using glitter HTV that is not recommended to be layered. Tip: with this design, I would create an offset of the original names and then use the offset to subtract from the Mom design. It gives you a little more flexibility in placement when you apply it to the shirt. Offset copy I used a 0.20 offset on this design. Then moved the original name text away and used the Mom (bottom layer) and the offset (new top layer) to Subtract. Offset demo Since I used an offset, this will allow you to place your names text inside of the area when applying the HTV and you won’t have to worry as much about shrinkage and getting it perfect. Offset final Move the name text back on top of your Subtracted design to get an idea of how it looks. On the top design, you have to get the exact placement of the names lined up with the bottom layer. On the bottom design, you will notice there is a bit of white showing around the name text, this will be beneficial when you are applying HTV so you don’t have to worry as much as about the HTV shrinking when you press each color. temp_1 I used MF I love glitter font by Misti Fonts and Gulana font. Keep in mind if you plan to sell creations with these fonts, you will want to purchase the Commercial License for each. If you are using adhesive vinyl, it is not as much of an issue because there is no shrinkage. But, you will still need to get it lined up perfectly and layering marks can help with that – check out how to do that HERE.
  3. Subtract All – This option removes any part of an design that is behind another design. I always start my pulling off a copy of my design to the holding area off the mat, so I can go back to the original if needed.Subtract All So above I drew a heart and moved it behind my Mom and name layers. Make sure to align the design how you want and then I chose Subtract All and it cuts out the top 2 layers from the very bottom layer (heart). This works great for making designs that you don’t want to have the bulk of materials overlapping. Again you could use an offset to help with ease of getting it lined up and not worrying about shrinkage.
  4. Intersect – When 2 or more designs are overlapping, this will keep only the part of the design that is intersecting between the designs and the rest is deleted.Intersect
  5. Divide – When 2 or more designs are overlapping, this will divide any parts that are overlapping, but keeps all of the pieces on the design mat. Nothing is deleted.Divide
  6. Crop – This will allow you to crop a shape out of a pattern, design or in this case a photo.CropDraw a heart over the photo, select both the photo and circle, then choose Crop and it will take that shape out of the layer under it.

There are so many neat things you can accomplish with these tools under the Modify Panel. I encourage you to draw some shapes, pull in some patterns and just play around with them to see what they do.

Save this for future reference by pinning the image below.

Pin - Modify Panel - Part 1

Find Part 2 of the Modify Panel HERE – Compound Paths & Detach Lines

So far in the “Let’s Explore v4” series we have covered: – Page Setup Panel – Tab 1 – Page Size, Cutting Mat, Rotate View, Print & Cut Borders – Page Setup Panel – Tab 2 – Grid OptionsPage Setup Panel – Tab 3 – Registration MarksFill Color PanelLine Style PanelTrace Panel – Basic TraceTrace Panel – Trace by ColorTrace Panel – Magnet TracePixscan PanelText Style Panel – Tab 1Text Style Panel – Tab 2 & 3 – Glyphs & Spell CheckTransform Panel – Align TabTransform Panel – Scale TabTransform Panel – RotateTransform Panel – Move ByTransform Panel – Shear byReplicate Panel – Tab 1 & 2Replicate Panel – Object to Path Whew! We’ve covered a lot!

I truly believe that if you learn how to create in the software, the possibilities are endless! The software is the key! And it is such a powerful program that is available for anyone to use.

I would love to see what you are creating or learning with your Silhouette! Feel free to post photos or questions on my Facebook group at Silhouette Secrets with EllyMae.

Enjoy !

THANK YOU for your support! How can you help? Click HERE & buy a coffee. Every little bit helps with the cost of running the site.

Looking for more in-depth, step-by-step classes, check out all of my online Silhouette classes on my Teachable site HERE.

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**This post may contain affiliate links. What that means is that I may receive compensation if you purchase through the links I have provided. The price you pay for the product or service is not higher but I may get compensated for sharing.

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Cutting without a mat on the Cameo

Did you know you could cut without a mat with the Cameo? Yes! You can! The Portrait and all the Cameo machines have the ability to cut certain materials without a mat.

IMG_2940 copy

I see this asked a lot so let’s take a look at how to set it up properly to get a good cut.

You can only cut materials that have a backing without a mat on the Silhouette machines. Materials that have a backing would include adhesive vinyl or Heat Transfer vinyl (HTV), these are the most common ones I see. Single layer materials such as cardstock or fabric need to be placed on a mat or you risk jamming your machine when it cuts.

First, you want to set up the software to tell the Cameo that you are cutting without a mat.

No Mat setup copy

  1. Change the Page Size to the size of material you are using.
  2. Change the Cutting Mat to None. The arrow on the screen is indicating where the material will be loaded into the Cameo.
  3. Check the box to “Show Cut Border”. This will bring up a red cut border and will show you the maximum cut-able area of your vinyl.

No Mat setup - cut space

Next, something to keep in mind when cutting without a mat, you lose 1/4″ of cut-able space on your material on the left & right side and 1″ of cut-able space on the backside. This is so that your Cameo can hold the material securely in the machine while it cuts.

I have seen many times when someone tries to “trick” the machine to tell it the material is longer than it is, so they can get the design to cut in that last 1″ space, but most times, it will lose grip on the material and fall out the backside. Then you have wasted that cut of vinyl. So I don’t recommend that. Just know in advance that you have to work within those parameters on your material and checking the “Show Cut border” helps visualize that.

So now that we’ve told the software we are cutting without a mat, let’s set the machine up.

First, you need to make sure that your blade is installed correctly. The #1 issue I see is not having the blade installed in the machine with no gap. It should look like this with no gap at all between the blade and the housing. This is for all blades, not just the Autoblade, but it is especially important with the Autoblade as it cannot adjust correctly if it is not in properly.

Autoblade with arrow

Next, you want to move your right roller in to grab the edge of the vinyl. There are 4 positions that the right roller can be locked on the roller bar. These are all indicated by the blue arrows, which line up to grooves on the roller bar that the lock sits in.

IMG_2970

These are the only places that the right roller can be locked in on the roller bar. If you do not have the roller securely set in the groove, it will not lock in place. It may look like it’s locked but it is not.

Now, to move your right roller. Flip the roller bar lock down to release it (unlock). This lifts the right side of the roller bar, so you can move the roller.

Roller bar lock copy

Next, turn the right side of the Roller lock to the unlocked position. It is very difficult to see but there is a definite lock and unlock and a notch that has to be securely in place.

Roller bar lock zoom_edit

Once it is in the unlock position, you can carefully slide it along the roller bar until it securely sits in the groove that you want it in. Then make sure to turn the roller lock back to the locked position and turn the roller bar lock so it is pointing up. The terminology can get confusing so here is a visual.

Roller bar vs roller lock copy

Now, once your roller is securely locked in place and your roller bar lock is pointed up in the locked position, we want to make sure we are loading our vinyl correctly.

Place your vinyl next to the blue line on the left side, just like you would load the mat and the top edge of the vinyl up against the rollers. Don’t push it in, just hold it up to the rollers, so when you push the load button it will pull the vinyl into the machine.

Blue line

Now, see how the rollers are firmly gripping the edges of the vinyl.

Vinyl edges

Remember what I said earlier about losing 1/4″ of cut-able space on your left and right side of your vinyl? This is why. The rollers need that space to securely hold the vinyl in the machine.

Also, something to take note of is that your design will start cutting exactly at the top of your vinyl that is loaded in the machine. As you can see in this photo, the red cut border starts at the very top of the vinyl.

Cut at top of vinyl

It does not have to account for the extra space of the mat, so it begins cutting immediately.

Once your vinyl is loaded, you may also choose to advance the vinyl through the machine in order to see how it will track. On the Cameo touchscreen, click on the directional arrow icon in the bottom right corner.

Track feed

Then press on the down arrow to get it to feed through the machine.

Track through

This can help you identify any issues you may encounter with it feeding through the Cameo straight.

Now, that the software and the Cameo are set up correctly, we are ready to Send the design to Cut.

Creative cut

You want to keep the vinyl as straight as possible going into and coming out of the Cameo. If you are cutting something that is really long and have the vinyl hanging that can create an issue if the vinyl is pulling. Or if the vinyl doesn’t have room on the backside to pass through, then it can cause issues too.

It will depend on the length of the vinyl you are cutting, but I prefer to use my Silhouette roll feeder when cutting long length. I feel that I don’t have to babysit the cutting as much once I have the roll feeder set up, as long as the backside is clear.

IMG_2979

Now, I know it doesn’t look like much but it will hold your 9″ and 12″ vinyl rolls in place. I will be completely honest and say that I didn’t think I would have any use for it. But, I was wrong! I use this every time I have a large vinyl decal to cut.

The Cameo machine sits securely on top of the Silhouette Roll Feeder and the vinyl is fed through so it goes into the machine straight.

IMG_2980

Here is the video I watched by Silhouette to set up the roll feeder – The Silhouette Roll Feeder.

You can find the roll feeder here: Swing Design Silhouette America Amazon

I would highly suggest practicing this technique of not using a mat before you are under pressure to get a project done. And I still will always recommend that a beginner start by using a mat, so you can see how the machine works before you start changing too much of it.

IMG_2983

This is a great feature to have the ability to cut materials without a mat for things longer like this 12″ x 33″ wall decal!

I used Oracal 631 for this project and used the Vinyl, Matte setting in the Silhouette software to get a beautiful cut.

Cut settings

Can’t wait to see what you decide to cut without a mat! Share photos of your creations on my Facebook group at Silhouette Secrets+ by EllyMae.

Enjoy !

THANK YOU for your support! How can you help? Click HERE & buy a coffee. Every little bit helps with the cost of running the site.

Looking for more in-depth, step-by-step classes, check out all of my online Silhouette classes on my Teachable site HERE.

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**This post may contain affiliate links. What that means is that I may receive compensation if you purchase through the links I have provided. The price you pay for the product or service is not higher but I may get compensated for sharing.

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Let’s Explore v4 – Transform = Move

Did you know that you can Move objects on your Silhouette Design mat specifically into place?

Pretty neat when you start to look at it.

Under the Transform Panel on the right side, then the 4th tab at the top of the Panel is the “Move By” tab.

4-25 Transform -Move copy

This allows you to move an object to an exact location on the Design mat.

4-25 Transform -Move detail copy

  1. Directional arrows – Move left, move right, move up, move down – choose which direction you want to move your design.
  2. Distance – Set the exact distance you want your design to move.
    Here is the original design placed on my design mat:
    Distance before
    *Running Out Wine Cardio design #222003 by Megan Hardy Design

    Now see how it moved exactly 3.25″ when I select the design and click on the Move right directional arrow.

    Distance after

  3. X and Y coordinates – Set the exact X and Y location of your design on your mat.
    If you look in my above photo, when I moved it 3.25″ to the right, it also added in the X and Y coordinates. This means that I can also move something by changing those numbers. Here I entered my X as 5, so it moved it 5″ from the left side and my Y as 3″, so it moved it 3″ down from the top.X and Y

    You can also choose how it applies the X and Y coordinates by selecting the position on the square that you want it to apply from.
    My photo above has it applied in the top left corner.X Y position copy
    But you can choose what position works best for you, whether it’s the Center of the design or another location as well.

  4. Apply – Click here to apply the Move or hit Enter.

And that is how you can move things on your design screen to the exact location you want.
Can you move it manually? Yes, you sure can!
Drag and move it where you want.
Or you can use the Move tools and place it exactly.
Just like so many other functions in the Silhouette software – there are multiple ways to do things!

Enjoy !

THANK YOU for your support! How can you help? Click HERE & buy a coffee. Every little bit helps with the cost of running the site.

Looking for more in-depth, step-by-step classes, check out all of my online Silhouette classes on my Teachable site HERE.

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**This post may contain affiliate links. What that means is that I may receive compensation if you purchase through the links I have provided. The price you pay for the product or service is not higher but I may get compensated for sharing.